Christ—fangzhipin or fuzhipin of God?

This is an interesting take by Tom at An Open Orthodoxy blog on the Originator (God) and the copy (Logos/Christ).

An Open Orthodoxy

China_s

Please enjoy this very interesting description of Eastern (Japanese) aesthetics by Byung-Chul Han (“The Copy is the Original“). I’d love to hear David Bentley Hart reflect on how this different aesthetic sensibility (as transcendental as is our aesthetic appetite here in the West yet contrary in how it manages and propagates its values) would express core Christian beliefs like the Trinity (Father as the ‘original’, the Logos as the ‘image’, etc.), Incarnation, etc. After reading this I wondered how beholden to a Western aesthetic palate Hart’s Beauty of the Infinite: An Aesthetics of Christian Truth, might be. What sort of “aesthetics of Christian truth” would a thoroughly Eastern/Japanese aesthetic palate produce? Here’s just a sampling. You’ll have to digest the whole piece to appreciate my question: Is Christ the fangzhipin (仿製品) or fuzhipin (複製品) of God? In addition, which are we?

In 1956, an exhibition of masterpieces…

View original post 302 more words

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

w

Connecting to %s